circa 1999
The opening shot to the pilot. keyframed on one's by Morimoto Koji - seemed to be wrong at the time but the motion does have a weird kind of frantic energy to it. The background was inspired by ChungKing Mansion in Hong Kong, one of the locations in which we took extensive photos.
I was quite happy with the overall vibe, the contrasts between urban decay and a surreal innocence as examplified by the inflateable Fugu fish in the background.
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